February HSM – Tucks and Pleats

So, I am so aware of how appalling I’ve been keeping you up to date with my projects, for which I can only apologise, and then some more. Life got in the way, as it tends to. I’ve been busy sewing, just not blogging about the sewing I’ve been doing. So, I’ll get on with my February HSM. 

You may be wondering where my January HSM is, and the answer is, underneath my February project… All will be revealed. 

  
Here it is: my skirt to go over my 1850s cage crinoline. There is so much pleating here (ruffles galore!) that I knew it’d be perfect for this month’s challenge. 

  
It is essentially made out of two types of fabric, because I ran out of the first kind, and the ruffles are mounted onto a base skirt. All in all, it’s actually really heavy!

 

A sweet button used to fasten the skirt at the back

 
And yes, it is mostly machine sewn. Obviously there are bits where one has to hand sew, such as sewing the yards of ruffles actually onto the skirt, but hems and seams and so on are done by machine, to speed up what would otherwise be a very laborious process. 

It’s far more imposing and impressive in real life than the pictures convey, I promise!

 Its over the top of my cage crinoline I made, which I think it’s nice enough to show on here, but if you need a description it’s steel wire held in place by bias tape. Not particularly elegant but it s sturdy yet bendable and does the job nicely. That was going to be my January HSM, but I didn’t finish it in time and I also don’t like the way it looks without anything covering it. 
So, facts. 

Challenge: Tucks and Pleats

Fabric: what I had lying around: plain beige cotton, and a heavier curtain (yay for curtain material!) material.  

Pattern: none

Year: from 1856 onwards, because that’s when the cage crinoline was patented

Notions: thread, a silver button

How historically accurate is it? Other than the use of sewing machine and un-authentic materials, the shape is pretty similar to pictures of outer skirts, so we can assume that petticoats had a similar shape. 70-80% authentic

Hours to complete: countless

First worn: 20th February

Total cost: nothing, everything was from the stash! 
Overall, I love the way it looks and how it really makes sure that you can’t see the hoops through the skirt, which is a main use of petticoats in this era! Plus, ruffles. Enough said. 

 

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Hoop skirt update

So, due to the fact that keeping the shape of an 1860s crinoline is very difficult, I have adopted a new approach. The thing is, in order to create that elliptical shape, I would have needed to put wire horizontally, which means that sitting wouldn’t be a possibility! 

So, the plans have changed. It is now going to be an 1850s wire crinoline, due to the fact that the circular shape is so much easier to make. 

  
I am making it out of some fairly sturdy wire I found lying around, and luckily, the cat approves of this project! She loves the tapes dangling down from it! I know that it won’t look beautiful and very neat, but that doesn’t worry me because with skirts over the top, no one will see the crinoline, and it’s there to give shape. 

18th century stays confession

Remember how I said I would post photos and tell you about my 18th century stays in progress? 

No longer. Because I tried them on and it’s all wrong; they’re too short in the body, not wore enough in the neckline, the stomacher is not big enough, and the placement of the bones at the side seams means that the stays don’t sit comfortably on the body. In fact, the made me look worse than if I’d worn no stays at all. 

I really can’t see any way of fixing these, but I’m not TOO upset. The problem is, that I used pretty much all of the pink linen so I can’t redo them. 

In any case, it means that I can work on my 1860s cage crinoline. This is something I’ve been puttin off for a while, and so either this or adding a peplum to my corset cover will be my January HSM. 

So, like I say each time, photos will come soon, but the cafe crinoline is still in progress and looks a bit tatty.